Why this Landscape Painting is a Lesson in Balance, Composition and Light

The enigma of Hobbema’s Avenue, Middelharnis

The Avenue, Middelharnis (1689) by Meyndert Hobbema. Oil on canvas. 103.5 × 141 cm. National Gallery, London, UK. Image source Wikimedia Commons

One of my favourite works in London’s National Gallery is this painting by the Dutch artist Meyndert Hobbema.

It shows an avenue of trees leading into the distance. Simple as it seems, subtle elements of composition and lighting elevate this painting to something quite brilliant, whilst at the same time allowing the scene to appear natural and utterly at ease with itself.

For me, the painting also suggests something profound, about the nature of time and even life itself.

A Pathway Ahead

Detail of ‘The Avenue, Middelharnis’ (1689) by Meyndert Hobbema. Oil on canvas. 103.5 × 141 cm. National Gallery, London, UK. Image source Wikimedia Commons

The line of sight down the pathway is direct and unhindered. Only a man with his dog walks casually towards us.

Perhaps it goes without saying that the painting’s impact lies in its strong symmetrical composition and emphasis on perspective. It means that we, as the viewer, are placed directly into the scene, our feet planted on the path with the rows of trees ahead of us.