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How to Read Paintings: The Abbey in the Oakwood by Caspar David Friedrich

A brooding masterpiece that explores the mystery of mankind’s position in the landscape

Christopher P Jones
6 min readJan 10, 2022
The Abbey in the Oakwood (1809–10) by Caspar David Friedrich. Oil on canvas. 171 x 110.4 cm. Alte Nationalgalerie, Berlin, Germany. Image source Wikimedia Commons

It can take a few moments for your eyes to adjust to the crepuscular light of this intriguing painting. The lustrous band of yellow that billows across the canvas tend to draw the eye upwards, away from the mist and shadows of the lower section.

If you look closely you’ll notice the tiny imprint of the moon above, a pale disc of light that hangs in the sky like a perfect droplet of water. Otherwise, the yellow bloom acts as a flawless backdrop to the brooding silhouettes of the winter trees that line up, leafless, in front of it.

The Universal Search of Man

Like many paintings by the German Romantic painter Caspar David Friedrich, this work carries an implacable air of loneliness. According to the art historian William Vaughan, Friedrich’s paintings were attempts to capture the dilemma of “man’s yearning for the infinite and his perpetual separation from it.”

Detail of ‘The Abbey in the Oakwood’ (1809–10) by Caspar David Friedrich. Oil on canvas. 171 x 110.4 cm. Alte Nationalgalerie, Berlin, Germany. Image source Wikimedia Commons

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