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The Mythical Painting That Still Puzzles Art Historians

Dare you enter this enigmatic scene?

Christopher P Jones
5 min readOct 5, 2022
An Allegory of Venus and Cupid (1540–1545) by Bronzino. Oil on panel. 146 × 116 cm. National Gallery, London, UK. Image source Wikimedia Commons

A painting like this deserves to be looked at for more than just a few moments. It is at once a puzzle, a warning and work of eroticism.

At the centre of the image, a boyish youth clasps a woman’s breast whilst leaning forward to kiss her. They are, in fact, mother and son.

Several features of this painting are immediately striking. The way the boy — Cupid — sticks out his buttocks provocatively; the unadulterated smile on the lips of the woman; or what about the young girl in green behind, under whose dress it’s possible to see the scaly body of a lizard?

As for what the painting is trying to say, historians have long debated the exact meaning — and the conclusions are striking.

Mother and Son Kiss

The two central figures are both naked. They are supposed to be Venus and her son Cupid.

The two figures are locked in an embrace, with Venus coyly stealing one of Cupid’s arrows. Their kiss is pleasurable, their desire unrestrained.

It’s possible to recognise Venus, goddess of love and beauty, by the golden apple she is holding in her left hand, given to her by Paris when he judged her to be the most…

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