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The Evolution of Kandinsky’s Colour Theory and Spiritualism in Art

Making vibrations in the soul

Christopher P Jones
6 min readFeb 23, 2023
Movement I (1935) by Wassily Kandinsky. Mixed media on canvas. 116 × 89 cm. Tretyakov Gallery, Moscow, Russia. Image source WikiArt

Christopher P Jones is the author of How to Read Paintings, an examination of art’s most enthralling images and their meanings.

The artist Wassily Kandinsky was obsessed with colour.

He ardently believed that through his colour-drenched abstract paintings, everyday reality could be transcended, giving access to a higher, immaterial order of experience.

In 1896, he relocated from his native Moscow to the city of Munich — a vibrant hub of artistic and scientific discourse. He steadily made a name for himself as an innovative figure in the avant-garde art world, alongside fellow artists like Franz Marc, Alexej von Jawlensky and Paul Klee. Together, they championed the concept of art as a fusion of word, picture and sound.

Later in 1911, Kandinsky published Concerning the Spiritual in Art, his key text for understanding his theories on colour, in which he wrote: “Generally speaking, colour directly influences the soul.”

The Spiritual Connotation of Colour

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