The Wonderfully Dark Undertones of Hendrick Avercamp’s Winter Landscape

Uncovering tiny details that bring this work alive

Christopher P Jones

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Winter Landscape with Ice Skaters (c. 1608) by Hendrick Avercamp. Oil on panel. 77.3 × 131.9 cm. Rijksmuseum, Amsterdam, Netherlands. Image source Rijksmuseum (open access)

In the new year of 1608, an exceptionally cold winter gripped much of Europe.

In Germany, the River Rhine froze over all the way up to Cologne. In London, it was so cold that the Thames froze solid and became an impromptu fairground, with ice-skating and amusements set up on the ice.

Across the continent, Arctic snow and ice petrified towns and countryside. Birds froze to death, wild animals and livestock starved, and trees perished from the “great frost”.

“The cold was so extreme and the freeze so great and bitter, that nothing seemed like it in the memory of man,” wrote the Parisian diarist Pierre de l’Estoile, in whose city hundreds died from cold and hunger.

The harsh winter of 1607–08 would inspire some of the great winter landscape paintings of the era, including Winter Landscape with Skaters by the Dutch artist Hendrick Avercamp.

Joy and Darkness

On first impression, Winter Landscape with Skaters is a merry invocation of that extreme winter. It was painted around 1608, the same year as the great frost.

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